One of the simplest tools either of these software packages has available is the option to perform bulk editing, ranging from simply modifying the file names of hundreds of images to performing batch resizing or other retouching tweaks to numerous images. Tools such as Adobe’s Photoshop Lightroom 5 and Bridge (as part of Photoshop Creative Cloud) help to expedite the creation of these file structures and greatly help in maintaining conformity within them. There is no set standard for doing this, but it is something you should decide upon and stick to in order to have the most efficient means for printing, sharing and retrieving images from a hard drive. When doing this, it is crucial to develop a file structure to keep your files organized. Depending on your own situation, it is likely you will be importing hundreds, if not thousands, of images into your computer at once. One of the most difficult and time-consuming aspects of this process is the real-time sorting through imagery and creating this edit. Now that the bulk of imagery is created using a digital camera, this process begins with importing your files to your computer and editing them down to a select few. At the beginning of the post production digital workflow is the editing, sorting and retouching of imagery. While the premise of this article is the physical development of imagery, there are numerous steps that must occur first in regard to handling and preparing your imagery prior to final output on a paper medium. Prints bring value to your work and are also a more special means for sharing your images with others than viewing them on an LCD screen. Printing photographs also grounds your work and allows for a bit more separation from the image itself, since it is being turned into a tangible object. This scarcity of physical prints does have immense benefits, though, as it is still the best and most revered method of owning a photograph. With much of photography’s attention being devoted to the sole creation of the image, and more recently the virtual and instant sharing of those images, the art and practice of physically producing prints is becoming less of a requirement than in the past.
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